• Homepage animation. *In Terms of Performance*, edited by Shannon Jackson and Paula Marincola (Arts Research Center at University of California, Berkeley, and The Pew Center for Arts & Heritage, Philadelphia). (link: https://www.intermsofperformance.site/ text: www.intermsofperformance.site target: _blank).

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    Homepage animation. In Terms of Performance, edited by Shannon Jackson and Paula Marincola (Arts Research Center at University of California, Berkeley, and The Pew Center for Arts & Heritage, Philadelphia). www.intermsofperformance.site⁠(opens in a new tab).

  • Homepage index. *In Terms of Performance*, edited by Shannon Jackson and Paula Marincola (Arts Research Center at University of California, Berkeley, and The Pew Center for Arts & Heritage, Philadelphia). (link: https://www.intermsofperformance.site/ text: www.intermsofperformance.site target: _blank).

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    Homepage index. In Terms of Performance, edited by Shannon Jackson and Paula Marincola (Arts Research Center at University of California, Berkeley, and The Pew Center for Arts & Heritage, Philadelphia). www.intermsofperformance.site⁠(opens in a new tab).

  • Mark Russell,

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    Mark Russell, “Theatricality” on homepage index. In Terms of Performance, edited by Shannon Jackson and Paula Marincola (Arts Research Center at University of California, Berkeley, and The Pew Center for Arts & Heritage, Philadelphia). www.intermsofperformance.site⁠(opens in a new tab).

  • Installation view. Allison Smith, *Allison Smith: Rudiments of Fife & Drum*, The Aldrich Contemporary Art Museum, Ridgefield, CT. Photo: Chad Kleitsch, courtesy of The Aldrich Contemporary Art Museum.

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    Installation view. Allison Smith, Allison Smith: Rudiments of Fife & Drum, The Aldrich Contemporary Art Museum, Ridgefield, CT. Photo: Chad Kleitsch, courtesy of The Aldrich Contemporary Art Museum.

  • Andrea Fraser,

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    Andrea Fraser, “Act” on homepage index. In Terms of Performance, edited by Shannon Jackson and Paula Marincola (Arts Research Center at University of California, Berkeley, and The Pew Center for Arts & Heritage, Philadelphia). www.intermsofperformance.site⁠(opens in a new tab).

  • Janine Antoni,

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    Janine Antoni, “Choreography” in In Terms of Performance, edited by Shannon Jackson and Paula Marincola (Arts Research Center at University of California, Berkeley, and The Pew Center for Arts & Heritage, Philadelphia). www.intermsofperformance.site⁠(opens in a new tab).

  • Janine Antoni, *Yours Truly*, 2010. Ink on paper, 5 7/8 x 8 1/2”. ©Janine Antoni, courtesy of the artist and Luhring Augustine, New York.

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    Janine Antoni, Yours Truly, 2010. Ink on paper, 5 7/8 x 8 1/2”. ©Janine Antoni, courtesy of the artist and Luhring Augustine, New York.

  • Stefan Kaegi,

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    Stefan Kaegi, “Reenactment” in In Terms of Performance, edited by Shannon Jackson and Paula Marincola and translated by Megan Hoetger (Arts Research Center at University of California, Berkeley, and The Pew Center for Arts & Heritage, Philadelphia). www.intermsofperformance.site⁠(opens in a new tab).

  • In 1920, under the direction of Nikolai Evreinov, thousands of participants (including Vladimir Lenin and thousands of Red Guards) reenacted the storming of the tsar's Winter Palace three years earlier, a pivotal moment in the October Revolution. Sergey Eisenstein used footage from the event in his film *October: Ten Days that Shook the World* (1928).

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    In 1920, under the direction of Nikolai Evreinov, thousands of participants (including Vladimir Lenin and thousands of Red Guards) reenacted the storming of the tsar’s Winter Palace three years earlier, a pivotal moment in the October Revolution. Sergey Eisenstein used footage from the event in his film October: Ten Days that Shook the World (1928).

In Terms of Performance is designed to generate shared literacies for how we understand the goals, skills, and artistic traditions of experimental interdisciplinary work. Over the past few years we have gathered essays and interviews from key artists, curators, presenters, and scholars whose work reflects on relations among visual art, theatrical, choreographic, and performance art practices. To seed the conversation, we created a list of keywords: common yet contested terms in our current context, when museums are incorporating ever more time-based art forms, theaters are commissioning visual art for their stages, and symposiums try to make sense of how this cross-pollination changes the nature of curating, collecting, producing, authoring, documenting, and commissioning. Some of these keywords are older terms that have been resuscitated and redefined; others have made an appearance only recently. Our goal was not to produce singular definitions nor to commission encyclopedic entries but to share perspectives from distinct locations.”

In Terms of Performance is an online keywords anthology designed to provoke discovery across artistic disciplines. As editorial assistant for the project between 2014 and 2016, Hoetger collaborated with over 25 artists, scholars, and curators involved in the project on first edits of their texts, as well as on translation and citation work.

Published by the Arts Research Center at University of California, Berkeley, and The Pew Center for Arts & Heritage, Philadelphia

Co-editors: Shannon Jackson and Paula Marincola

Managing editor: Peter Nesbett

Consulting editor: Nell McClister

Copy editor: Karen Jacobson

Visual resource coordinator: Emily Elliott

Image and research assistants: Megan Hoetger, Max Margulies

Website design: LeClair Lucas

Principal photographers: Paula Court, Ian Douglas