• Students watch

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    Students watch “Abhina Aher” video portrait from How We Behave by Grant Watson (2012-ongoing). If I Can’t Dance, Amsterdam, 2021.

  • Students watch a film installation at *All About Theatre About Film* by Ivo van Hove and Jan Versweyveld. EYE Filmmuseum, Amsterdam, 2021.

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    Students watch a film installation at All About Theatre About Film by Ivo van Hove and Jan Versweyveld. EYE Filmmuseum, Amsterdam, 2021.

  • Students attend a lecture within the frame of *Court for Intergenerational Climate Crimes (CICC)* by Jonas Staal and Radha D'Souza. Framer Framed, Amsterdam, 2021.

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    Students attend a lecture within the frame of Court for Intergenerational Climate Crimes (CICC) by Jonas Staal and Radha D’Souza. Framer Framed, Amsterdam, 2021.

  • Students watch a film installation in the exhibition *Mountains and Molehills* by Fiona Tan. EYE Filmmuseum, Amsterdam, 2022.

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    Students watch a film installation in the exhibition Mountains and Molehills by Fiona Tan. EYE Filmmuseum, Amsterdam, 2022.

  • Student sits in an installation in the exhibition *For those who have no time to play* by Gluklya. Framer Framed, Amsterdam, 2022.

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    Student sits in an installation in the exhibition For those who have no time to play by Gluklya. Framer Framed, Amsterdam, 2022.

  • Students sit inside the exhibition *Feed me. Cheat me. Eat me.* by Janis Rafa. EYE Filmmuseum, Amsterdam, 2023.

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    Students sit inside the exhibition Feed me. Cheat me. Eat me. by Janis Rafa. EYE Filmmuseum, Amsterdam, 2023.

  • Student sits inside the installation *Performing Colonial Toxicity* by Samia Henni. Framer Framed, Amsterdam, 2023.

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    Student sits inside the installation Performing Colonial Toxicity by Samia Henni. Framer Framed, Amsterdam, 2023.

  • Students gather around the screen in a listening session with ekphrastic texts from *Black Revelry: In Honor of 'The Sugar Shack'* by Derrais Carter (2021). If I Can't Dance, Amsterdam, 2023.

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    Students gather around the screen in a listening session with ekphrastic texts from Black Revelry: In Honor of ‘The Sugar Shack’ by Derrais Carter (2021). If I Can’t Dance, Amsterdam, 2023.

  • Student watches projection in the exhibition *Bad Color Combos* by Yto Barrada. Stedelijk Museum, Amsterdam, 2022.

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    Student watches projection in the exhibition Bad Color Combos by Yto Barrada. Stedelijk Museum, Amsterdam, 2022.

Unfolding annually across four days each year, the annual workshop Performative Writing as Documentation introduced choreography students to the many forms that documentation can take, as well as the functions it can serve, in a performance practice. In particular, it focused on the slippery status of “the document” itself and its many temporalities, highlighting non-visual forms of documentation, especially creative writing. Each morning, students were introduced to materials from the If I Can’t Dance archive, which were brought into dialogue with short readings, screenings, and the students’ own work. In the afternoons, the group then made visits to exhibitions and events around Amsterdam that connected with the morning’s materials; and, finally, a small writing exercise explored in practice the counter-techniques for documentation explored throughout the day. 

This workshop was conceived and facilitated together with If I Can’t Dance Curator of Archive Anik Fournier for the second year curriculum at the School for New Dance Development, Amsterdam.